Sans Superellipse Onnis 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Government Issue JNL' by Jeff Levine (names referenced only for comparison).
Keywords: ui text, app design, dashboards, signage, headlines, tech, futuristic, clean, friendly, utilitarian, ui clarity, modern branding, geometric consistency, tech tone, systematic design, rounded, squared, geometric, modular, wide-set.
A geometric sans with a distinctly squared-rounded construction: bowls and counters are based on rounded rectangles, producing superellipse-like curves and softly chamfered corners. Strokes are uniform and even, with a crisp, mechanical rhythm and generous apertures that keep forms open in text. Uppercase proportions are sturdy and slightly condensed in feel, while lowercase is compact with clearly differentiated shapes; terminals are consistently rounded, and joins stay tight and controlled. Numerals follow the same rounded-rectangle logic, yielding blocky yet approachable figures.
Well-suited to user interfaces, product UI, dashboards, and technical documentation where clean, stable letterforms and open counters support quick scanning. The distinctive squared-rounded shapes also work effectively for headings, branding in tech contexts, and wayfinding/signage where a modern, engineered impression is desired.
The overall tone is modern and technical, with a subtle sci‑fi flavor coming from the squarish curves and modular geometry. At the same time, the rounded corners and open counters soften the texture, keeping it friendly and accessible rather than harsh. It reads as contemporary interface typography—precise, organized, and calm.
Likely designed to blend geometric precision with approachable readability by using rounded-rectangle forms and consistent stroke logic. The intent appears to be a contemporary sans that feels at home in digital environments, offering a recognizable, technical silhouette without sacrificing clarity in running text.
The design language is very consistent across letters and figures, with repeated corner radii and a strong sense of grid-fitting geometry. Wide interior spaces and simplified detailing help maintain clarity at smaller sizes, while the squared curves give headings a distinctive, engineered signature.