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Free for Commercial Use

Slab Contrasted Nady 6 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, playful, retro, quirky, posterish, bold, patterned texture, display impact, distinct identity, retro cue, stencil-like, inline cut, decorative, chunky, geometric.


Free for commercial use
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A decorative slab-serif with chunky, squared terminals and a distinctive horizontal break running through most characters, creating a stencil/inline cut effect. The design combines heavy slab-like feet and caps with rounded bowls and generous counters, producing a strong black silhouette tempered by the midline interruption. Curves are smooth and geometric, joins stay crisp, and the overall rhythm alternates between solid blocks and the repeating internal gap for a highly patterned texture. Numerals echo the same system, with broad forms and the characteristic cut that adds a layered, sign-paint-like feel.

Best suited to display typography such as posters, headlines, event graphics, and bold branding moments where the inline break can be a featured texture. It can work well for packaging and signage that wants a retro or novelty flavor, and for short logotypes or wordmarks where the repeated cut adds instant distinctiveness.

The repeated midline cut gives the face a theatrical, attention-grabbing personality that reads as playful and slightly mischievous. Its mix of hefty slabs and rounded forms suggests a retro display tone—part circus poster, part novelty signage—while still feeling organized and systematic rather than hand-drawn.

The font appears designed to reinterpret a sturdy slab-serif structure with a consistent midline cut, adding visual intrigue and a recognizable pattern without abandoning clear letter shapes. The goal seems to be high-impact display readability paired with a memorable, ornamental signature.

The internal break becomes a dominant visual motif in text, creating strong horizontal banding across words and lines. At smaller sizes or tight leading, that banding can visually merge, so the face benefits from ample size and spacing when clarity is important.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸