Cursive Nubom 2 is a light, narrow, low contrast, italic, very short x-height font.
Keywords: greeting cards, invitations, branding, social posts, packaging, friendly, playful, casual, approachable, whimsical, handwritten charm, display personality, informal tone, decorative caps, monoline, looping, bouncy, airy, rounded.
A monoline, handwritten script with a right-leaning posture and softly rounded terminals. Letterforms are built from smooth, continuous strokes with frequent loops and open counters, giving the set an airy, bouncy rhythm. Capitals are tall and expressive with occasional swash-like entry and exit strokes, while the lowercase shows compact bodies with relatively tall ascenders and descenders that add vertical liveliness. Spacing feels organic and irregular in a deliberate, hand-drawn way, with some characters showing gentle baseline wobble and varied stroke lengths that reinforce the informal construction.
This font suits short, expressive text where a human touch is desirable—greeting cards, invitations, quotes, social media graphics, boutique branding, and packaging accents. It performs best in headlines and pull quotes where the looping capitals and lively rhythm can be appreciated without crowding.
The overall tone is warm and personable, like quick but careful marker lettering on a note or invitation. Its looping forms and relaxed rhythm suggest informality and charm rather than precision, creating a lighthearted, conversational feel.
The design appears intended to capture a neat, personable cursive handwriting style—smooth, quick strokes with decorative loops—aimed at adding charm and informality to display text. The emphasis on expressive capitals and flowing connections suggests a focus on personality and friendly presence over strict uniformity.
Numerals follow the same handwritten logic, with rounded shapes and simple, open constructions that keep them visually consistent with the letters. The sample text shows clear word shapes at display sizes, with the most distinctive personality coming through in the ornate capitals and the long, looping descenders.