Sans Normal Anloh 17 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Benn Beckman' by Factory738, 'Noir' by Mindburger Studio, 'Glorich' by Sarid Ezra, 'Santral' by Taner Ardali, and 'Mimolette' by The Ampersand Forest (names referenced only for comparison).
Keywords: ui text, branding, headlines, signage, presentations, modern, clean, neutral, friendly, tech, clarity, versatility, contemporary tone, functional reading, neutral branding, geometric, rounded, open counters, high legibility, crisp terminals.
This typeface presents a clean geometric sans structure with largely circular bowls and smooth, even curves. Strokes read consistently through rounds and straights, with crisp, square-ended terminals and minimal modulation. Proportions feel balanced and contemporary: rounded forms (O, C, G, o, e) are near-circular, while verticals (H, N, n, h) stay straight and steady, creating a regular, calm rhythm. Counters are open and generously shaped, and the lowercase shows a simple, functional construction (notably a single-storey a and g) that keeps forms uncluttered.
It works well for user interfaces, product copy, and general-purpose editorial settings where clarity and a steady rhythm are important. The geometric clarity supports headlines and branding, while the open counters and straightforward forms keep longer passages readable. It should also perform well in signage and wayfinding-style applications where quick recognition matters.
The overall tone is modern and neutral with a slightly friendly, approachable edge due to the rounded geometry and open apertures. It communicates clarity and straightforwardness rather than personality-driven quirks, making it feel suitable for contemporary interfaces and clean brand systems.
The design appears intended as a versatile, contemporary sans with a geometric foundation and restrained details, prioritizing clarity and consistency. Its simplified lowercase constructions and rounded forms suggest an aim to remain friendly and highly legible across a wide range of everyday graphic and digital uses.
The uppercase set reads particularly geometric, while the lowercase maintains the same smooth logic and consistent spacing, resulting in an even color in paragraph text. Numerals are clear and simple, with rounded figures that align well with the letterforms for mixed alphanumeric settings.