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Free for Commercial Use

Inverted Igri 1 is a very bold, very narrow, high contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, album covers, titles, enigmatic, ritual, artsy, quirky, noir, negative space, symbolic display, thematic mood, graphic texture, glyphic, cutout, modular, jagged, condensed.


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A condensed, vertical display face built from solid rectangular tiles with letterforms carved out as internal voids. The counters and strokes read as crisp cut-outs, producing a stencil-like negative-space construction with sharp turns, occasional hooks, and small teardrop terminals. Proportions are tall and compact, with narrow interiors and a tight, columnar rhythm; some letters introduce playful irregularities in joints and diagonals that keep the texture lively. Numerals and punctuation follow the same tile-and-cutout logic, maintaining strong block alignment and consistent, high-impact silhouettes.

Best suited to short, attention-grabbing settings such as posters, titles, editorial openers, and branding marks where the tiled negative-space construction can be a focal graphic element. It can also work for album/film titles and themed packaging where a mysterious, coded, or nocturnal mood is desired.

The overall tone feels cryptic and theatrical, like a set of inscribed symbols or a stylized cipher. Its stark black-and-white presence leans dramatic and slightly eerie, while the quirky, hand-cut quirks add an artsy, experimental edge.

This design appears intended as a highly graphic, tile-based display font that flips the usual stroke-and-background relationship by carving letterforms out of solid shapes. The goal seems to be maximum contrast and a distinctive, symbolic texture that reads like cut paper or engraved signage rather than conventional text typography.

Because each character sits within a solid block, spacing appears inherently segmented and monospaced in feel, creating a strong grid texture in text. The most distinctive trait is the reliance on internal void shapes—small notches, pinholes, and cut channels—that remain recognizable even at a distance, but will reward larger sizes where the cut details stay clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸