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Free for Commercial Use

Distressed Syma 13 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Candle Quotes' by Balpirick, 'Antry Sans' by Mans Greback, and 'Rydero' by Maulana Creative (names referenced only for comparison).

Keywords: posters, headlines, album covers, event flyers, packaging, gritty, playful, handmade, loud, raw, impact, texture, attitude, analog print, blotchy, chunky, rough-edged, organic, inked.


Free for commercial use
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This font uses chunky, heavy letterforms with irregular, eroded outlines that feel inked or stamped rather than cleanly drawn. Strokes are broadly monolinear but wobble in width due to the distressed edge treatment, creating a soft, blobby silhouette with frequent nicks and bumps. Counters are small and uneven, and curves (like O/C/G) read as rounded, compact shapes with subtle flattening. The overall rhythm is lively and slightly inconsistent, with a hand-made texture across both uppercase and lowercase.

Best suited to short, high-impact settings like posters, headlines, event flyers, and cover art where the rough texture can read clearly. It can also work well for packaging or labels that want a handmade, stamped aesthetic. For longer text, it will perform best at larger sizes with generous spacing to preserve counter clarity.

The tone is gritty and energetic, mixing a rough, worn surface with a friendly, cartoonish warmth. It suggests noisy DIY printing, grunge craft, and an intentionally imperfect, tactile feel rather than precision. The texture adds attitude and urgency, making even simple words feel bold and animated.

The design appears intended to deliver maximum impact with a deliberately distressed, printed texture—prioritizing character and tactility over crisp detail. It aims to feel hand-produced and expressive, with a consistent rough edge that signals wear, noise, and analog imperfection.

In the sample text, the dense shapes and distressed perimeter create strong color on the page, while the small counters and rough terminals can start to close up as sizes drop. The numerals match the same chunky, worn construction, keeping a consistent voice across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸