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Free for Commercial Use

Inline Ryma 5 is a bold, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, branding, packaging, signage, art deco, theatrical, vintage, dramatic, ornamental, period display, title impact, ornamental styling, signage flavor, geometric, monoline cuts, tapered terminals, stenciled feel, high-waisted.


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A decorative display face built from hefty geometric forms with a consistent inline cut that carves a bright channel through many strokes and bowls. Curves are largely circular and symmetrical, while joins and terminals often taper to sharp wedges, creating a chiseled, poster-like finish. Counters tend to be compact and the overall spacing reads tight-to-moderate, producing dense word shapes with strong vertical presence. The lowercase keeps a tall x-height and simplified constructions that echo the uppercase’s geometry, while figures are stylized with angled strokes and split interiors that match the inline motif.

Best suited for short, high-impact settings such as headlines, posters, brand marks, event graphics, and packaging where the carved inline detail can read clearly at size. It can also work for signage or title cards, especially in high-contrast layouts that support its dense, ornamental rhythm.

The overall tone is glamorous and era-evocative, with a strong stage-and-marquee energy. The inline detailing and sharp tapering add a sense of motion and spectacle, suggesting classic cinema titles, jazz-age ornament, and statement signage rather than quiet text typography.

The design appears intended as a bold, decorative display alphabet that references Art Deco geometry while adding a distinctive inline incision for extra sparkle and structure. Its proportions and stylized cuts prioritize visual character and period flavor over neutral readability in long passages.

The inline treatment varies by glyph—sometimes centered, sometimes offset—adding a handcrafted, cut-out feel. Several letters lean on near-circular bowls (notably C/O/Q-like forms), and diagonals are emphasized with blade-like wedges, which can make similar shapes feel intentionally stylized rather than purely functional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸