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Free for Commercial Use

Sans Faceted Ufdu 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Lobby Card JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, 'Octin College' and 'Refuel' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, gaming ui, industrial, athletic, arcade, rugged, technical, impact, geometric clarity, signage, modular styling, retro display, octagonal, chamfered, blocky, compact, high-contrast counters.


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This typeface is built from heavy, monoline strokes with corners cut into crisp chamfers, creating an octagonal, faceted silhouette in place of smooth curves. Forms are compact and squared-off, with generous weight and relatively tight internal counters that stay legible through sharp, planar cut-ins. Terminals are consistently clipped, giving round characters like O, C, and G a geometric, engineered feel, while diagonals in K, V, W, X, and Y remain sturdy and blunt rather than razor-thin. Numerals follow the same chamfered construction, with clear, blocky shapes and small angular apertures.

It performs best in large sizes where the chamfered details and compact counters can be appreciated, making it well-suited for headlines, posters, team marks, and bold packaging labels. The sturdy, geometric texture also fits interface titles or in-game overlays where a strong, industrial tone is desired.

The overall tone feels tough and functional, with associations to sports signage, industrial labeling, and retro-digital display aesthetics. Its faceted geometry reads as assertive and attention-grabbing, suggesting speed, strength, and a utilitarian, no-nonsense attitude.

The design appears intended to translate the feel of cut-metal or stencil-like facets into a clean, contemporary display sans. By standardizing clipped corners and keeping stroke weight consistent, it aims for maximum impact and a cohesive, engineered look across letters and numbers.

The rhythm is strongly modular: repeated chamfer angles unify the set and produce a consistent texture in all-caps and mixed-case settings. Lowercase echoes the uppercase construction, favoring simplified, sturdy shapes over calligraphic nuance, which helps maintain a uniform, poster-ready color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸