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Shadow Upra 7 is a very light, wide, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, album art, airborne, retro, playful, quirky, dreamy, texture, depth, whimsy, signage, monolinear, inline, offset, decorative, flared.


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A decorative inline display face built from extremely thin, monoline-like strokes with frequent breaks and small cut-ins that create a hollowed, stencil-adjacent feel. Many curves show an offset, echo-like contour that reads as a light shadow or second stroke, especially in bowls and terminals, giving letters a layered outline without adding weight. Proportions are generally wide with open counters; straight stems are hairline-thin, while curves and joins often taper into sharp points or tiny wedges. The rhythm is intentionally irregular: crossbars, shoulders, and terminals are simplified and sometimes discontinuous, producing a hand-cut, airy silhouette that stays consistent across caps, lowercase, and figures.

Best suited to short, large-scale settings such as headlines, posters, logotypes, and packaging where the inline cut-outs and shadow-like echo can be appreciated. It can also work for editorial or event titling when used with generous tracking and plenty of white space, while long passages or small sizes will likely feel too fragile and textured.

The overall tone is light, whimsical, and slightly uncanny—like signage lettering or a stylized title treatment where the “shadow” echo adds motion and sparkle. The cut-outs and broken strokes lend a crafted, vintage-fantasy character, balancing elegance with eccentricity.

The design appears intended as a high-personality display font that creates depth through minimal means—using cut-outs, broken strokes, and an offset echo to suggest shadowing without becoming heavy. Its goal seems to be atmospheric impact and distinctive texture rather than utilitarian reading comfort.

In text lines the delicate construction and frequent openings reduce color and emphasize texture over readability, creating a shimmering, perforated pattern. Round letters (C/O/Q) and sinuous forms (S, 2, 3) showcase the offset echo most strongly, while angular letters (M/N/V/W) lean into narrow hairline diagonals and pointed joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸