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Sans Normal Nymur 14 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'CF Asty' by Fonts.GR, 'Bozon' by ROHH, 'Santral' by Taner Ardali, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, playful, friendly, chunky, retro, punchy, impact, approachability, branding, display, rounded, soft-cornered, geometric, compact counters, heavy terminals.


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This typeface is built from hefty, rounded geometric forms with smooth curves and subtly softened corners. Strokes are consistently thick, with large, confident silhouettes and relatively tight internal counters that emphasize mass over openness. Many joins and terminals feel slightly chamfered or blunted, giving straight strokes a softened, constructed look rather than a sharp industrial finish. Proportions lean generous and blocky, with sturdy uppercase shapes, broad bowls, and simplified lowercase construction that stays highly uniform in rhythm.

It performs best in short, attention-grabbing settings such as headlines, posters, and storefront or event signage where its dense weight and rounded geometry can carry. The font also suits packaging and branding systems that want a friendly, bold voice, and it can work for large-scale wayfinding or labels where strong silhouettes matter more than delicate detail.

The overall tone is bold and approachable, combining a toy-like friendliness with a strong poster presence. Its rounded geometry and dense color create a confident, cheerful voice that reads as contemporary-retro and brand-forward rather than formal or technical.

The design appears intended to deliver maximum impact with a friendly, rounded geometric character—prioritizing bold shape recognition and a cohesive, chunky texture for display typography. Its simplified forms and softened terminals suggest a focus on modern branding and energetic editorial or promotional uses rather than long-form reading.

At larger sizes the rounded detailing and chunky counter shapes become a defining feature, while in smaller settings the tight apertures and heavy weight can make fine distinctions less pronounced. The numerals share the same solid, geometric feel, with simple, high-impact forms suited to display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸