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Free for Commercial Use

Blackletter Doke 2 is a bold, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, packaging, labels, book covers, medieval, gothic, calligraphic, dramatic, folkloric, period evoke, display impact, handmade feel, thematic branding, angular, broken strokes, inked, flared terminals, compact caps.


Free for commercial use
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This typeface shows a calligraphic, blackletter-leaning construction with broken, angular strokes and pronounced wedge-like joins. Letters are built from thick, sculpted forms with moderate internal contrast and frequent flared terminals that mimic a broad-nib or brush-pen touch. The italic slant and uneven stroke rhythm create a lively, hand-drawn texture, while counters remain relatively small and enclosed, contributing to a dense, dark color on the page. Uppercase forms are compact and ornate without excessive filigree, and numerals follow the same chiseled, inked-in silhouette with slightly varied widths.

Best suited to display settings such as posters, headlines, branding marks, and packaging where a historic or gothic mood is desired. It works particularly well for fantasy, folklore, medieval-themed events, and decorative titles, and is most effective when given enough size and spacing to preserve its interior detail.

The overall tone feels medieval and storybook-like, with a gothic, old-world presence that reads as ceremonial and dramatic. Its energetic slant and brushy irregularities add a human, craft-forward character, suggesting tradition, folklore, and theatrical signage rather than neutral modern text.

The design appears intended to evoke hand-crafted blackletter forms with a forward-leaning, expressive brush-and-nib feel, balancing readability with a distinctly decorative, period-inspired voice.

The font maintains strong consistency in its broken-stroke language across cases, but the hand-rendered edges and variable character widths create a textured, slightly unpredictable line. At smaller sizes the tight counters and heavy joins may visually fill in, while at larger sizes the angular detailing and terminal shapes become the main attraction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸