Sans Other Sehy 6 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, signage, logos, packaging, technical, futuristic, architectural, industrial, retro, space saving, constructed geometry, high impact, tech styling, angular, geometric, condensed, linear, sharp.
A tightly condensed, monoline sans built from straight strokes and crisp angles. Curves are largely minimized into faceted, squared-off forms, with frequent chamfered corners and open apertures that keep counters readable despite the narrow proportions. Horizontal terminals tend to end bluntly, and diagonal strokes are used sparingly but decisively (notably in V/W/X), creating a rigid, engineered rhythm. Capitals are tall and narrow; lowercase follows the same rectilinear logic with compact bowls and simple, single-storey constructions where applicable. Numerals match the linear geometry, with squared curves and a consistent stroke tone.
Best suited for short display settings where its condensed footprint and high-contrast silhouette can work to advantage—headlines, posters, branding marks, labels, and wayfinding. It can also serve UI accents or interface titling where a technical, space-efficient look is desired, while extended body text may feel rigid due to the compressed width and angular forms.
The overall tone feels technical and machine-like, with a retro-futurist, display-oriented personality. Its strict geometry and compressed stance suggest instrumentation, signage, and constructed lettering rather than casual text. The sharp corners and faceted “rounds” add a slightly sci‑fi or digital-era flavor without mimicking a pixel grid.
This font appears designed to deliver a compact, engineered sans voice—prioritizing narrow set width, geometric consistency, and a distinctive faceted construction that reads as modernist/industrial with a retro-tech edge.
The design emphasizes verticality and uniform stroke color, producing a strong vertical cadence in words. Distinctive, angular “round” letters (such as O/Q and C/G) lean toward squared counters, and several joins appear intentionally notched or chamfered to reinforce the constructed aesthetic.