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Free for Commercial Use

Slab Weird Byba 6 is a regular weight, wide, very high contrast, italic, normal x-height font.

Keywords: headlines, posters, branding, album covers, titles, experimental, mechanical, edgy, quirky, retro-futurist, standout display, deconstructed slab, industrial flair, futuristic tone, stenciled, segmented, angular, flared, ink-trap like.


Free for commercial use
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This typeface pairs broad, slab-like terminals with sliced, discontinuous strokes that create a stenciled, segmented rhythm. Many glyphs are built from heavy horizontal blocks connected by thin hairline bridges, producing dramatic tension between dense masses and delicate joins. The letterforms lean with a consistent rightward slant and show a mix of rounded bowls and sharp, chamfered cuts; several counters and joins include small curled or hooked details that read like decorative notches. Overall spacing appears generous and the forms feel wide-set, with a deliberately irregular construction that still maintains a coherent system across caps, lowercase, and figures.

Best suited to display settings where its segmented construction and strong slab terminals can read clearly: posters, title sequences, branding marks, packaging, and editorial headlines. It can also work for short pull quotes or labels when set with comfortable size and line spacing to preserve the thin connectors and interior details.

The tone is bold and unconventional—part industrial stencil, part sci‑fi display, with a playful, slightly mischievous edge. The cut-in gaps and hairline connectors add a sense of motion and engineered complexity, giving headlines an energetic, attention-grabbing presence.

The design appears intended to reinterpret slab-serif structure through a deconstructed, stencil-like approach—using heavy terminals, carved gaps, and hairline bridges to create a distinctive, engineered texture. Its consistent slant and decorative cuts suggest a deliberate focus on expressive impact over neutral readability.

In text, the repeated horizontal slabs create strong striping, especially across sequences of lowercase, while the hairline connectors can visually shimmer at smaller sizes. Several characters rely on small internal marks and clipped joins for differentiation, which reinforces the experimental, constructed feel but benefits from ample size and contrasty reproduction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸