Pixel Dash Orba 2 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'AC 1928' by Antoine Crama; 'JAF Domus Titling' by Just Another Foundry; 'Neue Frutiger Arabic', 'Neue Frutiger Devanagari', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', and 'Neue Frutiger Vietnamese' by Linotype; and 'Camphor' and 'Neue Frutiger World' by Monotype (names referenced only for comparison).
Keywords: posters, headlines, album art, game ui, event flyers, glitchy, grunge, industrial, noisy, punk, distressed display, glitch texture, rugged impact, signal interference, distressed, stenciled, broken, banded, blocky.
A heavy, block-leaning display face built from stacked horizontal slices that create deliberate gaps and irregular edge breakup. The letterforms keep largely straightforward, upright skeletons, but the interiors and outer contours are visibly interrupted by banding, giving counters a chipped, fragmented look. Curves are simplified and slightly squared off, and joins often read as stepped or notched rather than smoothly continuous. Spacing and widths feel pragmatic and uneven in a natural, mixed rhythm typical of a distressed construction.
Best suited for short, attention-grabbing text such as posters, headlines, album covers, title cards, and gritty editorial callouts. It can also work for game or screen graphics where a noisy, distressed texture is desired, but it will be less comfortable for long-form reading at small sizes due to the intentional fragmentation.
The overall tone is gritty and disruptive, with a digital-noise or analog signal-interference feel. It conveys urgency and abrasion—more underground flyer than polished branding—while still remaining legible at display sizes.
The design appears intended to fuse sturdy, simple letter skeletons with a systematic “broken scanline” texture, creating a bold display voice that feels damaged, hacked, or weathered while staying readable.
The horizontal segmentation is consistent across caps, lowercase, and numerals, producing a strong texture line when set in paragraphs. Small details (like terminals and inner corners) tend to collapse into rugged notches, so the design reads best when given room and size.