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Free for Commercial Use

Sans Other Fasi 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to '2 Quadro' by Apostrof, 'Formetic' by Bülent Yüksel, 'Stallman Round' by Par Défaut, 'Shtozer' by Pepper Type, and 'Motte' by TypeClassHeroes (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, industrial, retro, authoritative, techno, mechanical, impact, mechanical feel, display presence, signage utility, retro-tech, blocky, angular, condensed, squared, stencil-like.


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A heavy, block-constructed sans with squared proportions, flat terminals, and tightly controlled interior counters. Forms are built from straight strokes and sharp corners, with occasional chamfered or notched joins that create a cut-metal, pseudo-stencil feel. Curves are minimized and when present read as squarish or faceted, producing compact bowls and rectangular apertures. The rhythm is punchy and modular, with narrow internal spacing and strong vertical emphasis that holds up as bold display text.

Best suited for bold headlines, posters, branding marks, and short callouts where a strong, mechanical voice is desired. It can also work for signage, labels, and packaging that benefit from a compact, high-impact block aesthetic, especially when set with added spacing for clarity.

The overall tone is industrial and retro-technological, reminiscent of machine labeling and arcade-era graphics. Its dense, hard-edged silhouettes feel assertive and utilitarian, with a slightly militaristic, engineered character that reads as purposeful rather than friendly.

The design appears intended to deliver maximum impact through compact, rectilinear construction and high visual density, echoing industrial and techno signage traditions. Its notched, faceted details suggest a deliberate attempt to evoke fabricated materials and modular display lettering rather than conventional sans forms.

The texture becomes very dark in paragraph settings due to the narrow counters and thick joins, so it benefits from generous tracking and line spacing. Distinctive angled details in a few capitals and the squared punctuation contribute to a crafted, emblematic display look rather than a neutral text voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸