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Free for Commercial Use

Sans Normal Ebdih 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types, 'Franklin Gothic' and 'ITC Franklin Gothic LT' by ITC, 'FreesiaUPC' by Microsoft Corporation, 'PG Gothique' by Paulo Goode, 'Franklin Gothic' by URW Type Foundry, 'Franklin Gothic Raw' by Wiescher Design, and 'Biwa' by Wordshape (names referenced only for comparison).

Keywords: ui text, editorial, brand systems, presentations, infographics, modern, clean, calm, practical, technical, legibility, neutrality, emphasis, contemporary tone, oblique, humanist, open apertures, rounded terminals, airy spacing.


Free for commercial use
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A clean oblique sans with gently rounded curves and consistent, low-contrast strokes. Letterforms lean forward with smooth, continuous joins and largely open apertures, keeping counters clear in both uppercase and lowercase. Proportions feel balanced and readable, with straightforward geometry in rounds (O, C, G) and crisp diagonals (V, W, X, Y) that maintain even rhythm. Numerals are simple and legible, with open shapes and minimal ornament, matching the text face’s restrained construction.

It suits interface copy and product UI where an oblique voice is needed for emphasis while remaining highly readable. The even texture and open counters also work well for editorial sidebars, reports, presentations, and infographic labeling where clarity and a contemporary tone are priorities.

The overall tone is modern and matter-of-fact, with a friendly softness from the rounded curves and an energetic slant that suggests motion without becoming expressive or decorative. It reads as calm, efficient, and contemporary—more utilitarian than playful.

The design appears intended as a neutral, legible oblique sans for general-purpose typography, offering a forward-leaning emphasis while preserving a clean, consistent text color and straightforward forms.

Spacing appears comfortably open in the sample text, supporting word-shape clarity in longer passages. The italic angle is steady across caps, lowercase, and figures, and the design avoids sharp contrast or quirky details, emphasizing consistency and clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸