Sans Faceted Afte 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Kanal' by Identikal Collection, 'Borough Hall JNL' by Jeff Levine, and 'Horesport' by Mightyfire (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, arcade, military, gothic, impact, futurism, ruggedness, compactness, legibility, angular, faceted, octagonal, stencil-like, condensed.
A condensed, all-angular display sans built from straight strokes and clipped corners, replacing curves with sharp planar facets. Strokes remain consistently thick with minimal contrast, and counters are generally small and geometric, often octagonal or squared-off. Terminals are blunt and chiseled, with frequent 45° cuts that create a mechanical rhythm across both uppercase and lowercase. Spacing is compact and vertical, producing a tight, columnar texture; numerals follow the same faceted construction with sturdy, blocky silhouettes.
Best suited to short, high-impact settings such as posters, headlines, logotypes, and branding where the faceted silhouette can read clearly at larger sizes. It also fits game interfaces, sci‑fi or industrial-themed graphics, and packaging or labeling that benefits from a rugged, mechanical presence.
The faceted geometry and compact heft give the type a hard-edged, engineered tone that reads as utilitarian and assertive. It evokes retro digital and arcade aesthetics as well as industrial labeling, with a slightly medieval/blackletter echo in the sharp joins and vertical emphasis, but rendered in a modern, schematic way.
The design appears intended to deliver a strong display voice using a strictly geometric, corner-cut construction that stays consistent across cases and figures. By trading curves for facets and keeping strokes uniform and condensed, it prioritizes a compact footprint and distinctive, high-contrast letter silhouettes for emphatic titles and marks.
Lowercase forms largely mirror the uppercase’s angular vocabulary, with single-storey constructions and squared bowls. Diacritics and punctuation shown in the sample adopt the same blunt, rectilinear treatment, helping maintain a consistent, machined feel in continuous text.