Sans Superellipse Mifa 9 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, ui labels, techy, futuristic, game-like, industrial, retrofuturist, sci-fi tone, systemized forms, display impact, digital ui, squared, rounded corners, geometric, modular, compact counters.
A geometric sans with a rounded-rectangle construction and consistently heavy, even strokes. Corners are broadly radiused, giving the square forms a soft superelliptic feel, while terminals stay mostly straight and horizontal/vertical for a disciplined, modular rhythm. Counters tend to be rectangular and fairly tight, with clear stencil-like gaps in a few shapes (notably the lowercase m), and several diagonals are simplified into angular joins (as seen in v and k). Proportions run slightly extended with generous caps and sturdy lowercase, producing a chunky, high-contrast-on-background silhouette despite the monoline structure.
Best suited for display work where its modular, rounded-square forms can read as a deliberate design voice—headlines, brand marks, product names, posters, and packaging. It can also work well for interface labels, HUD-style graphics, and on-screen titles where a tech-forward, systemized texture is desired.
The overall tone reads technological and synthetic, with a retro arcade/terminal flavor. Its rounded-square geometry feels engineered and utilitarian, while the soft corners keep it approachable rather than aggressive. The result suggests UI, sci‑fi, and game branding more than editorial typography.
The design appears aimed at creating a cohesive, futuristic sans built from rounded-rectangle primitives, prioritizing strong silhouettes and a consistent engineered rhythm. It emphasizes clarity and impact at larger sizes, with stylized constructions that signal digital and industrial contexts.
Distinctive letterforms include a squared, open-bowl g, a very angular v, and a compact, squared e with a short crossbar. Numerals follow the same rounded-rect logic, staying highly uniform and sign-like, which reinforces a system-font/industrial labeling impression. Spacing in the sample text appears comfortable at display sizes, where the tight counters remain legible and the blocky rhythm becomes a feature.