Sans Other Yova 2 is a regular weight, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, ui labels, game graphics, branding, techno, retro, modular, futuristic, architectural, digital feel, grid construction, display impact, tech branding, sci-fi tone, rectilinear, angular, monolinear, stencil-like, geometric.
A tightly constructed, rectilinear sans built from straight strokes and hard right angles, with occasional diagonal joins in letters like K, V, W, and X. The design reads largely monolinear, but uses abrupt terminals, notches, and squared counters to create a chiseled, modular rhythm. Curves are minimized into faceted shapes (notably in C, G, S, and 0), and interior spaces tend toward narrow, rectangular apertures. Spacing and letterforms feel mechanically plotted, with sharp corners and consistent stroke behavior across caps, lowercase, and numerals.
Best suited for short display settings where its angular geometry can be appreciated: titles, posters, album/film graphics, product branding, and tech-themed identities. It can also work for interface labels, dashboards, and in-game typography where a compact, modular voice is desirable, but it is less appropriate for long-form reading at small sizes.
The overall tone is cool, technical, and slightly game-like, evoking digital readouts, sci‑fi interfaces, and 1980s/1990s computer aesthetics. Its crisp geometry and clipped openings give it a schematic, engineered personality that feels modernist and synthetic rather than humanist.
The design intention appears to be a constructed, grid-driven sans that prioritizes a distinctive, futuristic texture over traditional readability conventions. By reducing curves and emphasizing squared counters and clipped terminals, it aims to deliver a consistent techno aesthetic that feels purposeful and system-built.
Lowercase forms follow the same modular logic as the capitals, with simplified constructions and minimal differentiation, which strengthens the systemized look but reduces conventional text cues. Numerals are equally squared and segmented, and the punctuation shown (periods and apostrophes) is spare and functional, matching the font’s utilitarian, display-forward voice.