Sans Faceted Kato 3 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'Fronteer' by Aerotype and 'Design System' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, gaming, sports branding, tech ui, futuristic, techno, industrial, arcade, aggressive, impact, sci-fi aesthetic, machined look, brandability, display clarity, angular, faceted, octagonal, geometric, squared.
A heavy, geometric sans with sharply faceted construction and octagonal rounding in place of true curves. Strokes stay largely uniform, with crisp terminals, slabby horizontals, and rectangular counters that create a cut-metal, machined feel. The design is strongly extended with broad letterforms and generous internal apertures; bowls and rounded shapes are resolved through straight segments and clipped corners. Uppercase and lowercase share the same hard-edged logic, with a single-storey a, compact e with a horizontal bar, and numerals built from the same beveled, planar vocabulary.
Best suited to short, bold applications where impact and a tech-forward voice matter most: headlines, posters, game titles, esports/sports marks, packaging callouts, and interface-style graphics. It can work for brief blocks of display text when set with comfortable tracking and ample line spacing.
The overall tone is futuristic and mechanical, evoking sci‑fi interfaces, racing/arcade graphics, and industrial labeling. Its sharp facets and wide stance read as assertive and high-energy, with a distinctly digital, engineered character.
The letterforms appear designed to translate rounded shapes into planar facets, delivering a cohesive, high-impact display face that feels engineered and modern. The consistent beveling and squared counters suggest an intention to maintain clarity and brandability while leaning into a synthetic, sci‑fi aesthetic.
In text, the squared counters and frequent corner cuts create a strong rhythm and recognizable texture, but the dense weight and extended width can reduce readability at smaller sizes. The wide set and blocky forms make spacing feel prominent, especially around letters with large open sides (like C, E, F, T), reinforcing a headline-first personality.