Script Ubrah 2 is a light, very narrow, very high contrast, italic, short x-height font.
Keywords: invitations, wedding, branding, logotypes, packaging, elegant, romantic, whimsical, refined, airy, calligraphic feel, formal charm, decorative capitals, display emphasis, modern romance, calligraphic, looped, swashy, flowing, monoline accents.
A delicate, calligraphic script with a pronounced rightward slant and strong thick–thin modulation. Letterforms are tall and narrow with long ascenders and descenders, and curves are drawn with smooth, continuous motion that suggests a pointed-pen influence. Strokes terminate in tapered, hairline exits and occasional rounded blobs, while many capitals include generous entry/exit swashes and open loops. Spacing is moderately loose for a script, helping individual characters remain distinct despite the narrow proportions and lively stroke rhythm.
Well-suited to wedding stationery, greeting cards, and event collateral where an elegant script is expected. It also works for boutique branding, beauty and lifestyle packaging, and short display lines such as headlines or logo wordmarks. For longer passages, it’s best used sparingly (e.g., pull quotes or subheads) and at sizes that preserve the fine hairlines.
The overall tone feels graceful and celebratory, combining formal calligraphy cues with a light, playful bounce. Its looping capitals and airy hairlines give it a romantic, invitation-like character, while the animated rhythm keeps it personable rather than rigidly formal.
The design appears intended to evoke contemporary pointed-pen calligraphy in a consistent, digitized script, emphasizing slender proportions, crisp contrast, and expressive capitals. It prioritizes charm and flourish for display use while keeping lowercase shapes relatively clean to support short-form readability.
Capitals carry most of the flourish, with several showing extended lead-in strokes and decorative cross-strokes. Lowercase forms favor simple, readable constructions with occasional looped descenders (notably in letters like g, y, and z), and the numerals echo the same calligraphic contrast and slender stance. In text, the font reads best when given breathing room, as the fine hairlines and swashes can visually tangle at tight tracking or small sizes.