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Free for Commercial Use

Inline Ilki 8 is a bold, narrow, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, packaging, logotypes, industrial, vintage, assertive, display, poster, compact impact, retro signage, decorative emphasis, headline clarity, condensed, inline, geometric, vertical stress, rounded corners.


Free for commercial use
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A condensed, heavy display face built from tall rectangular forms with gently rounded corners and a consistent inline incision running through the main strokes. Curves are squared-off and simplified, giving bowls and counters a compact, engineered feel, while the inner cut creates a crisp, high-contrast rhythm between black mass and thin white channels. Terminals tend to be blunt and straight, and the overall construction stays monolinear in silhouette but visually stratified by the inset line, producing a stenciled/engraved look without breaking letter continuity.

Best suited for posters, headlines, signage, and packaging where the inline cut can be appreciated and the condensed width helps fit impactful copy into narrow spaces. It can also work for bold logotypes or labels that want an industrial, retro display character, but is likely most effective in short bursts rather than extended reading.

The font reads as industrial and vintage, with a bold, no-nonsense tone reminiscent of old signage, equipment plates, and headline typography. The inline detail adds a slightly ornamental, crafted flavor—more theatrical than a plain grotesque—while keeping the overall voice strong and pragmatic.

The design appears intended to deliver maximum impact in a compact width, combining sturdy block forms with an inline engraving to create distinctive display texture. The goal seems to be a vintage-leaning, sign-painter/letterpress-inspired presence that remains clean, structured, and highly legible at headline sizes.

The tall proportions and tight internal spacing emphasize verticality, and the inline carving becomes especially prominent at larger sizes where its regularity feels intentional and decorative. Numerals and capitals appear designed to match the same condensed, blocky geometry, supporting consistent headline color across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸