Serif Normal Fomaf 2 is a bold, wide, high contrast, italic, normal x-height font visually similar to 'Askan', 'Carat', 'Cassia', 'Danton', 'Mangan', and 'Marbach' by Hoftype (names referenced only for comparison).
Keywords: headlines, subheads, editorial, posters, packaging, classic, confident, lively, dramatic, emphasis, editorial voice, heritage tone, headline impact, bracketed, calligraphic, displayable, oldstyle, wedge serifs.
A robust italic serif with pronounced calligraphic influence and a strong forward slant. The letterforms show crisp, bracketed wedge-like serifs, rounded joins, and a clear thick–thin modulation that becomes especially evident in curved letters and figures. Capitals are broad and assertive with generous internal space, while the lowercase keeps a steady, readable x-height and uses lively, slightly swashed terminals that add motion without turning into script. Numerals are weighty and curvaceous, matching the text rhythm and maintaining consistent color in lines of setting.
It performs best where a strong italic voice is desirable: magazine headlines, subheads, pull quotes, book covers, and brand statements. The sturdy weight and clear serif structure also make it useful for short blocks of editorial text, especially when you want emphasis and personality without abandoning a traditional serif framework.
The overall tone is classic and editorial, combining traditional bookish cues with a showy, energetic italic attitude. It feels confident and slightly theatrical—well suited to emphatic phrasing and headline-like moments while still reading as a conventional serif at text sizes.
The design appears intended to deliver a classic serif foundation with an expressive italic slant—prioritizing impact, rhythm, and a calligraphic sheen for contemporary editorial and display typography.
Stroke contrast and angled entry/exit strokes create a strong horizontal rhythm, and the italic construction gives counters a slightly compressed, dynamic feel. The bold presence makes whitespace management important, but the shapes remain clear thanks to open counters and well-defined serifs.