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Solid Boso 7 is a light, very narrow, medium contrast, upright, very short x-height font.

Keywords: posters, headlines, logotypes, album art, titles, whimsical, quirky, delicate, playful, eccentric, expressiveness, experimental, doodled texture, visual surprise, hairline, monoline, spiky, loopy, hand-drawn.


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A hairline, monoline display face with extremely slender strokes and a deliberately uneven construction. Capitals mix simple geometric skeletons (clean circles and straight stems) with occasional abrupt hooks, extended terminals, and offbeat joins, creating an irregular rhythm across the alphabet. Many lowercase forms reduce to minimal marks—dots, short ticks, and single-stem gestures—while a few letters use tall ascenders/descenders that puncture the line and add vertical sparkle. Numerals are similarly airy and linear, with open, lightly drawn curves and simple angular turns; overall spacing reads loose and variable, emphasizing the font’s sketch-like cadence.

Best suited to display settings where scale can be generous—posters, cover art, headlines, and logo/wordmark exploration—so the hairline strokes and quirky constructions remain readable. It can also work as an expressive accent font for short phrases, labels, or editorial titling, especially when paired with a more conventional companion for body copy.

The tone feels whimsical and experimental—more like a playful typographic doodle than a conventional text face. Its extreme thinness and unexpected details give it a fragile, quirky personality that reads as curious, offbeat, and intentionally imperfect.

The design appears intended to subvert standard letterform expectations by combining geometric outlines with intentionally irregular, minimalist lowercase and punctuation-like details. Its goal is expressive texture and visual surprise rather than uniform readability, inviting use as a distinctive graphic element in typographic compositions.

The sample text highlights dramatic size-dependent behavior: at larger sizes the hairline structure and geometric outlines are clear, while at smaller sizes many lowercase characters collapse into dot-like accents and micro-strokes, producing a sprinkled, irregular texture. The contrast between relatively legible uppercase shapes and highly abbreviated lowercase forms becomes a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸