Outline Omfo 3 is a very light, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, packaging, logos, sports branding, modern, techy, playful, clean, sporty, display impact, modern branding, lightweight outline, geometric clarity, youthful tone, geometric, rounded, monoline, inline feel, open counters.
A geometric sans rendered as an outline, built from a consistent monoline contour with softly rounded corners and smooth curves. Proportions are horizontally expanded, with generous bowls and broad, open counters that keep interior space airy even at smaller sizes. Terminals are squared-off but slightly softened, and the overall construction favors simple, rational geometry (circular O/Q forms, straightforward diagonals, and wide, stable horizontals). Numerals follow the same wide, open approach, with clear, uncomplicated shapes and minimal internal detailing.
Best suited to headlines and short display lines where the outlined silhouette can read cleanly—posters, cover graphics, packaging, and brand wordmarks. It can also work well for sports or tech branding and signage-style applications when set large and given ample contrast against the background.
The outlined construction and wide stance give the type a crisp, contemporary energy that reads as light, friendly, and slightly futuristic. It suggests a display-forward tone—more about presence and style than dense reading—while staying approachable due to the rounded geometry and even rhythm.
The design appears intended to deliver a contemporary, geometric sans voice in an outline treatment, prioritizing bold silhouettes and open internal space for striking display typography. Its wide proportions and rounded geometry aim for high visual impact with a friendly, modern character.
The outline-only drawing means perceived weight depends heavily on stroke color and background contrast; it will appear more delicate on busy imagery and more assertive on flat fields. Spacing looks comfortable and consistent in the sample text, helping the wide forms avoid feeling cramped despite the airy, hollow interiors.