Sans Superellipse Bynet 2 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, posters, signage, futuristic, technical, minimal, retro, digital clarity, geometric system, sci‑fi tone, minimal display, rounded corners, squared curves, geometric, modular, open counters.
This typeface is built from thin, even strokes and a geometric, rounded-rectangle construction. Corners are consistently softened into tight radii, producing superellipse-like bowls and squared curves rather than true circles. Curves and diagonals are sparingly used, with many forms relying on straight segments and open apertures; terminals tend to be flat and clean. The rhythm is crisp and slightly modular, with a measured spacing and a deliberate, engineered feel across both uppercase and lowercase.
It performs best in short-to-medium settings such as UI labels, wayfinding, product interfaces, and technology-forward branding, where its precise geometry reads as modern and controlled. It can also work well for headlines and poster typography that aims for a sci‑fi or digital mood. For long text at small sizes, the very light strokes may call for careful size and contrast choices to maintain clarity.
The overall tone is cool and contemporary, with a distinctly futuristic, interface-like character. Its restrained geometry and squared-round forms also evoke late‑20th‑century techno and sci‑fi titling, lending a subtle retro-digital flavor. The light stroke presence keeps it airy and precise rather than loud or heavy.
The design intention appears to be a minimal, constructed sans that translates rounded-rectangle geometry into a cohesive alphabet for contemporary digital aesthetics. By keeping stroke weight uniform and emphasizing squared-round bowls and open structures, it aims to project clarity, precision, and a forward-looking tone suitable for interface and display use.
Several glyphs appear intentionally simplified for a systematized look, favoring legibility through open shapes and clear angles over traditional humanist detailing. Numerals and uppercase forms feel especially display-oriented, while the lowercase maintains the same constructed logic, reinforcing a consistent, grid-minded aesthetic.