Font Hero

Free for Commercial Use

Sans Rounded Timo 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Funlikey' by Abbasy Studio, 'Fox Natalie' by Fox7, 'Amostra' by Latinotype, 'Space Time' by Lauren Ashpole, and 'Beefcakes' by Monotype (names referenced only for comparison).

Keywords: kids branding, posters, packaging, headlines, stickers, playful, friendly, bubbly, cheerful, bold, approachability, playfulness, high impact, softness, display focus, soft, chunky, rounded, puffy, cartoonish.


Free for commercial use
Customize the font name

A heavy, rounded sans with soft, fully curved terminals and inflated bowl shapes that create a pillowy silhouette. Strokes are consistently thick with minimal modulation, and counters tend to be small and rounded, emphasizing mass and presence. The construction favors simple geometry with pronounced rounding at joins, producing compact, chunky letterforms and a lively, slightly irregular rhythm across widths. Numerals and capitals follow the same soft, blobby logic, maintaining strong color and even texture in display sizes.

Best suited to display applications where impact and friendliness are the goal: children’s products, playful branding, snack or confectionery packaging, posters, splashy headings, and social graphics. It also works well for short, high-contrast phrases on merchandise like stickers, T‑shirts, or signage where the soft forms can carry a cheerful tone.

The overall tone is warm and approachable, with a lighthearted, toy-like personality. Its inflated forms read as cheerful and comedic rather than formal, lending an upbeat, kid-friendly voice to headlines and short messages. The boldness and roundedness together communicate comfort, softness, and a sense of fun.

The design appears intended to deliver maximum bold presence while staying inviting through extreme corner rounding and inflated proportions. It aims for a cartoon-friendly, approachable voice that remains legible in large sizes, emphasizing charm and personality over typographic restraint.

Letter shapes prioritize silhouette clarity over interior openness, so tight counters can begin to fill in visually at smaller sizes or in dense text blocks. The ampersand and punctuation in the sample show the same rounded, chunky treatment, helping the font feel cohesive in casual display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸