Sans Faceted Kafa 1 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, packaging, sports branding, futuristic, techno, industrial, aggressive, sporty, futuristic display, geometric system, high impact, technical tone, faceted, octagonal, chamfered, angular, modular.
A sharply faceted sans built from straight strokes and clipped corners, giving most counters and outer shapes an octagonal, planed-off feel. Curves are largely replaced by chamfers, producing crisp terminals and squared apertures, while the stroke weight stays consistent across the alphabet. Proportions run broad and extended, with compact joins and sturdy horizontals that create a dense, graphic rhythm; diagonals (as in V, W, X, Y, and Z) are clean and geometric rather than calligraphic. The lowercase follows the same engineered construction, with single-storey forms and a high, blocky x-height that keeps texture even in mixed-case settings; figures match the same angular logic for a cohesive system.
Best suited for display roles where its angular construction can read as a design feature: headlines, poster typography, wordmarks, gaming/tech branding, and punchy packaging or labels. It also fits interface or HUD-style graphics when used sparingly at moderate-to-large sizes to preserve the crisp facets.
The overall tone is modern and hard-edged, reading as sci‑fi and machinery-adjacent rather than friendly or humanist. Its clipped geometry and wide stance convey speed, strength, and a controlled, technical attitude that feels at home in digital and industrial contexts.
The design appears intended to translate a clean sans skeleton into a planar, engineered language, emphasizing chamfered corners and broad proportions for a strong, contemporary presence. It prioritizes a cohesive geometric system and visual impact over traditional softness or text neutrality.
In text, the consistent faceting creates a distinctive pixel-like precision without becoming strictly grid-based. The wide proportions and squared counters favor impact and clarity at larger sizes, while the tight interior angles can make dense paragraphs feel visually busy compared with softer grotesks.