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Free for Commercial Use

Solid Teru 3 is a very bold, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, quirky, retro, graphic, attention, impact, novelty, branding, signage, geometric, angular, rounded, stencil-like, posterish.


Free for commercial use
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A heavy, display-focused alphabet built from chunky geometric masses with frequent triangular notches and wedge cuts. Curves tend to be circular and full, while many joins and terminals resolve into sharp, chiseled angles, producing a distinctive cut-paper or carved silhouette. Counters are often minimized or collapsed, and several letters rely on internal bites and split forms (notably in C/S and some lowercase) rather than open apertures, creating a dense, ink-trap-like rhythm. Spacing appears compact and the overall texture is bold and blocky, with individual glyphs showing intentionally irregular construction rather than a strict modular system.

Best suited for short, high-impact setting such as posters, headlines, event graphics, packaging fronts, and logo or wordmark exploration where the carved, solid silhouettes can read at larger sizes. It can also work well for playful branding systems and attention-grabbing social graphics, but is less appropriate for long text or small UI sizes due to the collapsed counters and dense rhythm.

The tone is loud and theatrical, with a playful, slightly mischievous personality. Its chunky shapes and dramatic cut-ins suggest retro signage and novelty headline lettering, leaning more toward graphic impact than typographic neutrality.

The design appears intended to deliver maximum graphic presence through solid forms and distinctive wedge-cut details, creating lettershapes that feel carved and hand-shaped while still staying broadly geometric and upright. The overall construction prioritizes recognizability and personality in display contexts over conventional readability in text settings.

Numerals are similarly sculpted, mixing round bowls with abrupt diagonal cuts, and the overall set maintains a consistent language of wedges and notches across caps, lowercase, and figures. The sample text shows strong word-shape presence and a dense typographic color, but fine details and interior separations can visually merge at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸