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Free for Commercial Use

Sans Superellipse Idnak 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Jazz Gothic' and 'Neil Bold' by Canada Type, 'Mako' by Deltatype, and 'Akkordeon' by Emtype Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logotypes, industrial, sporty, assertive, retro, maximum impact, compact density, rugged utility, vintage athletic, blocky, condensed feel, rounded corners, squarish counters, uniform strokes.


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A heavy, block-built sans with rounded-rectangle construction and tightly controlled, low-contrast strokes. Curves resolve into soft corners rather than true circles, giving bowls and counters a squarish, superellipse feel (notably in O, Q, 0, and 8). Terminals are blunt and flat, joins are sturdy, and the overall texture reads dense and compact, with narrow apertures and minimal interior whitespace. The lowercase keeps a tall, sturdy stance with simple forms (single-storey a and g) and short, utilitarian details; numerals follow the same chunky geometry for a consistent, sign-like color.

Best suited to large sizes where its chunky shapes and rounded-rect geometry can deliver impact—posters, headlines, team or event graphics, bold packaging, and logo wordmarks. It can also work for short UI labels or signage-style text when a compact, high-visibility voice is needed, but the dense counters suggest avoiding long passages of small text.

The tone is forceful and practical, with a rugged, industrial confidence that also nods to vintage athletic and workwear typography. Its compact, squared curves and thick presence create a no-nonsense voice suited to attention-grabbing messaging rather than delicate nuance.

The font appears intended to provide maximum visual punch with a compact, engineered silhouette—combining sturdy, rectangular construction with softened corners to stay approachable while remaining bold and commanding.

The design relies on a strong rectangular skeleton and consistent rounding, producing a uniform “stamp” effect across letters and numbers. Spacing in the sample text looks naturally tight and efficient, emphasizing a solid typographic block in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸