Sans Superellipse Ehgaf 5 is a regular weight, narrow, low contrast, italic, normal x-height font.
Keywords: headlines, branding, logotypes, ui labels, posters, futuristic, technical, sporty, sleek, dynamic, modernize, add motion, save space, project precision, rounded corners, rectilinear, squarish bowls, tight spacing, angular terminals.
This typeface is a slanted sans with a compact footprint and a rounded-rectangle construction throughout. Curves resolve into squarish bowls and softened corners, producing superellipse-like counters in letters such as O, C, D, and e. Strokes are monolinear and clean, with crisp, slightly angled terminals and minimal modulation, giving the forms a streamlined, engineered feel. The lowercase shows a pragmatic, modern skeleton with a single-storey a and g, a simple i with a square dot, and a narrow, upright rhythm that stays consistent across text and numerals.
It suits display settings where a sleek, contemporary voice is needed—headlines, product branding, logotypes, posters, and interface labels. The condensed, slanted forms work particularly well for short-to-medium phrases, technical titling, and sporty or sci‑fi themed graphics where space efficiency and a sharp rhythm are beneficial.
The overall tone reads modern and forward-looking, with a fast, aerodynamic cadence created by the italic slant and condensed proportions. Rounded corners keep it approachable, while the squared geometry and tidy joins reinforce a technical, performance-oriented character.
The design appears intended to deliver a modern geometric sans with speed and precision, using rounded-rectangle construction to keep shapes distinctive and consistent across the set. The italic angle and compact forms suggest an emphasis on motion and contemporary styling for attention-grabbing typography rather than traditional text neutrality.
Several characters emphasize the rounded-rectangle theme, including the digit 0 and the lowercase o, which appear more like softened squares than circles. The punctuation and numerals follow the same geometric logic, helping the font feel cohesive in UI-like strings, labels, and short lines of copy.