Sans Faceted Gevo 2 is a light, normal width, low contrast, italic, short x-height, monospaced font visually similar to 'Neue Konstrukteur Square' by HouseOfBurvo (names referenced only for comparison).
Keywords: posters, game ui, headlines, logos, album art, techy, angular, cryptic, playful, futuristic, tech flavor, sci-fi branding, coded aesthetic, geometric experiment, display impact, geometric, faceted, wireframe, broken strokes, single-line.
A sharply angular, faceted display face built from straight segments with clipped corners and occasional open joins. Strokes read like a consistent single-line construction, producing a wiry silhouette and an even rhythm across the set. Counters are generally polygonal (notably in O/0 and rounded letters), while diagonals and kinked terminals introduce a slightly jittery, hand-cut feel. The overall slant and simplified forms give it a quick, schematic texture in text, with distinctive, sometimes unconventional letter construction.
Best suited to short-form settings where texture and attitude matter more than effortless reading—titles, posters, game interfaces, sci-fi or cyber-themed graphics, and logo/wordmark explorations. It can work for brief captions or labels when a distinctive, coded look is desired, but longer paragraphs will read as intentionally stylized.
The font projects a techno-coded, puzzle-like personality—part retro computer terminal, part sci-fi blueprint. Its fractured geometry and polygonal curves create a cryptic, game/UI energy, while the light, sketchy presence keeps it more playful than aggressive.
The design appears intended to translate a sans skeleton into a polygonal, cut-from-planes aesthetic, replacing curves with straight facets and embracing open joins to suggest a constructed, engineered mark-making. The consistent segment-based drawing and slanted stance aim to evoke speed, technology, and a stylized “cipher” flavor while keeping the overall system cohesive across letters and numbers.
Legibility is driven by distinctive angles and corner cuts rather than traditional curves; this makes word shapes highly stylized and attention-grabbing. The round characters (O, Q, 0, 8, 9) emphasize the faceted motif, and the numerals maintain the same straight-segment logic for a cohesive alphanumeric voice.