Sans Other Ofvi 11 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Hudson NY' by Andrew Footit, 'Block Capitals' and 'Wildcat' by K-Type, 'Nulato' by Stefan Stoychev, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, industrial, techno, arcade, posterish, assertive, impact, modular geometry, digital tone, signage, geometric, angular, blocky, square counters, monolinear.
This typeface uses dense, squared-off letterforms built from straight strokes and hard corners, with minimal curvature. Counters are often rectangular or tightly notched, and terminals end in flat, abrupt cuts that create a stepped, machined silhouette. The rhythm is compact and vertical, with simple, monolinear construction and a consistent grid-like geometry that reads clearly at large sizes. Diagonals (as in A, K, V, W, X, Y) are sharply cut and slightly condensed, while rounded forms (like O, C, G) are rendered as squared bowls with flattened sides and corners.
Best suited to display contexts where strong shape and high impact matter more than long-form comfort, such as posters, branding marks, product labels, album art, and game or tech interface graphics. It can also work for short callouts and navigation labels when a rugged, geometric tone is desired.
The overall tone is bold and utilitarian, evoking industrial labeling, digital interfaces, and arcade-era display typography. Its rigid geometry and tight apertures give it a technical, no-nonsense voice that feels energetic and slightly aggressive in headlines.
The design appears intended to translate a modular, grid-based construction into a compact display sans, prioritizing bold silhouettes and crisp, angular internal spaces. It emphasizes a mechanical, digital-friendly character that remains consistent across letters and numerals for punchy, graphic typography.
The lowercase follows the same squared construction, with compact bowls and short, blocky joins; several glyphs rely on notches and inset cuts to suggest traditional curves. Numerals and punctuation maintain the same rectangular counter logic, supporting a cohesive, modular look across mixed-case settings.