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Free for Commercial Use

Serif Flared Otbe 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to '403 Bulchy' by 403TF, 'Arpona' by Floodfonts, 'Telder HT Pro' by Huerta Tipográfica, 'Boldstrom' by Sharkshock, 'Multi' by Type-Ø-Tones, 'Boulder' by Umka Type, 'Chunky Delight' by Wildan Type, and 'Malik' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, retro, playful, punchy, cheerful, friendly, retro display, warm impact, signage feel, brand character, poster emphasis, rounded, soft corners, flared terminals, high impact, compact counters.


Free for commercial use
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A heavy, display-oriented serif with rounded overall construction and pronounced flared stroke endings that read like softened wedge serifs. The letterforms are wide and blocky with compact internal counters, giving strong color on the page and a chunky silhouette. Curves are generously rounded (notably in C, O, S, and the lowercases), while joins and terminals often broaden into tapered, flare-like shapes that add a subtly carved, old-style poster feel. Spacing appears tight-to-normal for a display face, and the figures match the same bold, rounded, flared logic for a cohesive set.

Best suited to headlines, posters, and short display copy where strong presence is needed. It also fits packaging, badges, and storefront-style signage, and can work for logo wordmarks that want a friendly retro character. For longer text, larger sizes and generous leading help maintain clarity given the tight counters.

The font projects a retro, convivial tone—big, warm, and attention-grabbing without feeling sharp or aggressive. Its rounded shapes and flared endings suggest mid-century signage and packaging, giving it a fun, approachable personality suited to bold statements.

The design appears intended to merge a bold, rounded display structure with flared, serif-like terminals to evoke classic advertising and signage while staying approachable. The consistent swelling at stroke ends and compact internal spaces prioritize impact and personality over neutrality.

Uppercase forms feel stout and stable, while the lowercase introduces slightly more whimsy through asymmetric details and swelling terminals. The heavy weight and compact counters favor larger sizes, where the subtle flare and curvature can be appreciated without the interior spaces closing up.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸