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Serif Flared Dohy 3 is a light, narrow, high contrast, upright, normal x-height font visually similar to 'Callisen' by Zane Studio (names referenced only for comparison).

Keywords: headlines, magazines, book covers, branding, invitations, refined, editorial, fashion, classic, poised, elegance, editorial tone, luxury branding, display clarity, classic revival, delicate, crisp, bracketed, tapered, sharp.


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A refined serif with pronounced thick–thin modulation and a crisp, vertical rhythm. Stems often taper and subtly flare into bracketed serifs, creating a calligraphic, chiseled feel rather than blunt terminals. Capitals are elegant and slightly condensed with sharp apexes and clean joins; curves are smooth and controlled with narrow apertures that keep the texture tight. The lowercase maintains a moderate x-height with compact bowls, a two-storey a, and fine entry/exit strokes, yielding a light, airy color on the page. Numerals follow the same high-contrast logic, mixing straight, slender uprights with delicately curved forms for a polished, print-forward appearance.

Performs best in display and editorial roles such as magazine headlines, cover lines, pull quotes, and refined branding wordmarks. It can also work for short passages in high-quality print where a light, elegant texture is desired, especially when set with comfortable size and leading to protect the fine strokes.

The overall tone is sophisticated and restrained, with a sense of luxury and formality. Its sharp contrast and tapered details give it a couture/editorial voice—confident, precise, and slightly dramatic—without becoming ornamental. The texture reads as composed and high-end, suited to settings where elegance and hierarchy are important.

Designed to deliver a contemporary take on classical serif elegance, pairing high-contrast structure with tapered, flared finishing for a distinctive, fashion-leaning presence. The intent appears to emphasize hierarchy and sophistication, providing crisp forms that look especially polished in large-scale typography.

In running text the letterspacing and narrow internal spaces create a compact, even cadence; the thin hairlines and pointed details become more prominent at larger sizes. The ampersand and punctuation maintain the same refined contrast, reinforcing a cohesive, polished typographic palette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸