Sans Normal Pobav 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Whatchamacallit' by Comicraft, 'Plasto' by Eko Bimantara, 'Muller' by Fontfabric, 'Branding SF' by Latinotype, 'Amfibia' by ROHH, and 'Morl' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, children’s media, playful, friendly, chunky, retro, comic, approachability, playfulness, display impact, retro flavor, brand friendliness, rounded, bubbly, soft corners, bulbous, compact counters.
A heavy, rounded sans with soft, blunted terminals and gently inflated strokes that create a pillowy silhouette. Curves dominate the construction, with subtly irregular stroke transitions that keep the outlines from feeling rigidly geometric. Counters are compact and often teardrop-like, and the overall rhythm is dense and dark with stable, upright posture and generous interior rounding. Numerals match the letterforms’ chunky, softened geometry, maintaining a consistent weight and friendly proportions.
Best suited for short, high-impact text such as headlines, posters, packaging, and logo wordmarks where a friendly, chunky presence is desirable. It also fits playful editorial accents, event promotions, and children-oriented branding where warmth and approachability matter more than typographic neutrality.
The font conveys an upbeat, approachable tone with a casual, slightly comic energy. Its rounded heft feels welcoming and informal, leaning toward a retro sign-painter and kids’ media vibe rather than corporate neutrality. The overall impression is bold and cheerful, designed to be noticed without feeling sharp or aggressive.
This design appears intended to deliver strong display impact through rounded, softened forms and compact counters, prioritizing an inviting personality over strict geometric precision. The consistent, heavy color and bubbly terminals suggest an aim toward fun, approachable branding and attention-grabbing titling.
Round letters (like O, C, G) read as more oval than perfectly circular, contributing to a hand-shaped warmth. Diacritics aren’t shown, but dots and punctuation in the sample appear as solid, rounded forms that reinforce the bubbly texture. The word shapes stay highly legible at display sizes, with tight counters suggesting care at smaller sizes may require ample tracking or size to avoid filling-in.