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Free for Commercial Use

Sans Superellipse Baraj 9 is a very light, normal width, low contrast, italic, normal x-height font visually similar to 'Jali Greek' and 'Jali Latin' by Foundry5 (names referenced only for comparison).

Keywords: branding, editorial, ui labels, posters, packaging, modern, airy, friendly, clean, refined, modernize, soften geometry, add motion, stay minimal, monoline, rounded, soft corners, open apertures, humanist.


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A very light, monoline italic sans with softly rounded terminals and gently squared curves that give round letters a superellipse-like feel. Strokes stay even and crisp, with open counters and generous interior space that keep forms legible despite the delicate weight. Proportions are balanced and contemporary: capitals are simple and streamlined, while lowercase shows a mild humanist influence through relaxed shoulders and smooth joins. Numerals follow the same minimal, airy construction, with rounded turns and consistent stroke endings.

Works well for brand wordmarks, headlines, and short-to-medium text where a light, modern voice is desired. The clean geometry and open forms also suit UI labels, navigation, and product or packaging typography when set at comfortable sizes with ample spacing. In editorial layouts, it can add a refined, contemporary emphasis for pull quotes, intros, or subheads.

The overall tone is calm and contemporary, with a friendly softness from the rounded geometry and a subtle sense of motion from the italic slant. It feels polished and unobtrusive—more elegant than playful—suited to design that aims to look light, clean, and up-to-date.

Likely designed to combine contemporary geometric smoothness with approachable, humanist legibility, offering an italic voice that remains clean and minimal. The rounded-rectangle curve language suggests an intention to feel modern and friendly without becoming decorative.

Curves are drawn with a controlled, geometric rhythm, but not rigidly mechanical; several shapes lean toward rounded-rectangle silhouettes rather than perfect circles. The thin stroke weight and open apertures favor clarity at larger sizes, while the italic angle adds a graceful, editorial cadence in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸