Sans Normal Kulah 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Branden' and 'Branden Rounded' by Craft Supply Co, 'Arpona Sans' by Floodfonts, 'FS Elliot' by Fontsmith, 'Nietos' by Melvastype, 'Binate' by Monotype, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, app ui, sporty, energetic, modern, friendly, confident, add motion, boost impact, modernize tone, improve readability, oblique, rounded, soft terminals, compact, open apertures.
This typeface is an oblique sans with sturdy, even strokes and generously rounded curves. Letterforms show soft, slightly tapered terminals and a consistent rightward slant that creates forward motion without feeling overly cursive. Counters are mostly open and clean, with simple, contemporary constructions (notably in the single-storey lowercase forms) and a compact, efficient footprint in the lowercase. Numerals are straightforward and legible, matching the same smooth curvature and steady rhythm as the letters.
It performs best in attention-forward settings such as headlines, posters, and bold brand statements where its slanted momentum and strong presence can lead the layout. It can also work for short UI labels or packaging copy when a modern, energetic tone is desired and space is limited.
The overall tone is energetic and contemporary, with a sporty, active feel driven by the slant and robust color on the page. Rounded shaping keeps it approachable and friendly, while the weight and tight rhythm add confidence and immediacy.
The design appears intended to deliver a modern sans voice with added motion and emphasis through an oblique stance, balancing strong visual impact with rounded, readable forms. Its construction prioritizes clean curves and consistent rhythm for assertive display typography that still feels approachable.
The oblique angle is consistent across capitals, lowercase, and figures, helping maintain a cohesive texture in longer passages. Curved characters (C, O, S, U) read smooth and controlled, and diagonals (V, W, X, Y) feel stable and purposeful rather than sharp or spiky.