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Sans Superellipse Nyta 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Sztos' by Machalski, and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, poster, retro, industrial, punchy, friendly, impact, compactness, approachability, uniformity, rounded, chunky, compact, blocky, soft corners.


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This typeface is built from heavy, compact strokes with generously rounded corners and squared, superellipse-like curves. Counters are tight and often rectangular, giving letters a sturdy, blocky silhouette with little internal whitespace. The forms are mostly monolinear, with minimal modulation and a consistent, engineered rhythm across caps, lowercase, and numerals. Overall spacing reads dense and efficient, while terminals stay blunt and softened rather than sharp.

Best suited for headlines, posters, and short emphatic lines where bold, compact shapes need to command attention. It also fits signage, labeling, and packaging where a sturdy, rounded-industrial look helps text read as strong and intentional. For longer passages, it works more as display text than as continuous reading copy.

The overall tone is bold and assertive while staying approachable due to the rounded geometry. It evokes a retro, workmanlike signage feel—confident, utilitarian, and slightly playful. The condensed, compact shapes add urgency and impact, making the font feel headline-driven rather than delicate or lyrical.

The design appears intended to maximize visual impact through compact, rounded-rectangular construction and dense letterforms. By combining blunt terminals, tight counters, and consistent stroke weight, it aims for a cohesive, sign-painter-meets-industrial display voice that remains friendly rather than harsh.

The lowercase maintains a strong presence with short ascenders/descenders relative to the body and compact apertures, which reinforces a solid texture in text. Numerals share the same rounded-rectangle logic and feel especially suited to large, high-impact settings. At smaller sizes, the tight counters and dense spacing may reduce clarity, but the design’s strength is its cohesive, chunky silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸