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Inline Asje 5 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Murs Gothic' by Kobuzan, and 'Trade Gothic Display' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, rugged, industrial, stenciled, grunge, punchy, attention, texture, grit, condensed, blocky, chiseled, cutout, distressed.


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A condensed, heavy display face with compact proportions and forceful, block-like construction. Strokes are largely straight-sided with rounded corners and occasional slab-like terminals, creating a sturdy silhouette. A consistent set of internal cut channels and rough, distressed notches breaks up the black mass, producing an inline-like carved effect and a worn, printed texture. Counters are tight and simplified, spacing is relatively tight, and the overall rhythm favors bold verticals with occasional irregularities that read as intentional distressing rather than optical correction.

Best suited for bold headlines and short-form display settings such as posters, album or event graphics, product packaging, and branding accents that benefit from a rugged, industrial feel. It can also work for signage-style treatments or merchandise graphics where the stenciled, worn texture is part of the identity.

The font conveys a tough, utilitarian tone with a raw, weathered edge. Its carved-through details suggest stamped metal, crate markings, or screen-printed signage, giving it an industrial and slightly rebellious character. The distressed cutouts add energy and grit, making the overall voice loud and attention-grabbing.

The design appears intended to deliver maximum impact in a condensed footprint while adding character through carved internal channels and distressed interruptions. It prioritizes texture, attitude, and recognizability over neutral readability, aiming for a stamped, weathered display look.

The internal cut lines are prominent enough to become a defining graphic motif, especially at larger sizes where the texture reads clearly. At smaller sizes, the narrow counters and distressed breaks may reduce clarity, so it performs best when given room and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
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W
X
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Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
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5
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8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
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[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
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¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸