Outline Kopo 3 is a regular weight, wide, high contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, signage, retro, techy, playful, arcade, display impact, retro futurism, graphic branding, headline clarity, rounded, monoline, inline, geometric, open counters.
A rounded, geometric outline design with an inline secondary contour that creates a double-stroke, hollowed look. Strokes are drawn as clean, consistent contours with generous corner radii and smooth curves, giving the alphabet a soft, tubular feel. The letterforms are broadly proportioned with spacious counters; curves (C, G, O, S) stay highly circular while verticals remain straight and crisp. The overall rhythm is steady and legible at display sizes, with simple construction and minimal modulation beyond the inner inline detail.
Best suited for headlines, logos, posters, and branding where the outlined, double-line construction can read clearly and add personality. It works well in signage and packaging that benefits from a bold, graphic presence, and in retro-tech or arcade-themed visuals. For long body text, the outline-only structure will generally be more effective at larger sizes.
The double-outline treatment reads as energetic and slightly futuristic, with a clear nod to retro display lettering. It feels friendly rather than severe, pairing a technical, schematic vibe with a playful, game-like personality.
The design appears intended as a display face that leverages a consistent outline plus inline contour to create a distinctive hollow, layered effect. Its rounded, geometric construction suggests an aim for approachable modernity with retro influence, prioritizing graphic identity and high visibility in short-form typography.
The inline contour is consistently inset, producing a layered, dimensional impression without using fills. Numerals match the rounded geometry and maintain the same outline/inline logic, supporting cohesive headline typography. The design favors clarity and graphic impact over subtle text texture, especially as the interior negative space becomes a key part of the look.