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Slab Square Dynez 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'AZ College' by Artist of Design, 'Rama Slab' by Dharma Type, 'Camper' by Fenotype, 'FF DIN Slab' by FontFont, 'Palo Slab' by TypeUnion, 'Gravtrac' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, labels, industrial, poster-like, western, assertive, retro, compact impact, bold display, vintage poster, utilitarian strength, blocky, sturdy, compressed, square-serif, high-impact.


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This typeface is a heavy, condensed slab serif with square, flat-ended terminals and a strongly rectilinear build. Strokes are consistently thick with minimal modulation, producing dense, even color and a firm rhythm in text. Serifs are robust and bracket-free, reading as blunt blocks that lock into the stems. Counters are compact and apertures tend toward closed shapes, giving the alphabet a tight, punchy silhouette; numerals follow the same blocky, upright construction.

Best suited to display settings where strong, condensed letterforms help fit more characters into limited width—headlines, posters, storefront-style signage, and bold packaging or label typography. It can work for short subheads or callouts in editorial layouts, but will generally need generous size and leading to maintain clarity in extended text.

The overall tone is bold and workmanlike, with a nostalgic echo of wood type and old poster lettering. Its compressed width and blunt slabs create an emphatic, no-nonsense voice that feels both vintage and utilitarian, leaning toward display impact rather than delicacy.

The design appears intended to deliver maximum impact in a compact footprint, combining heavy strokes with blunt slab endings for a confident, vintage-leaning display voice. Its consistent, low-modulation construction suggests an emphasis on solidity and reproducible, poster-ready shapes.

The design emphasizes verticality and mass, with short crossbars and compact internal space that strengthen the font’s sign-paint and headline feel. In longer lines, the tight counters and heavy weight increase texture and presence, making spacing and size choices especially important.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸