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Sans Superellipse Okrel 11 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Brinova' by Digitype Studio, 'Monton' by Larin Type Co, 'Karben 205' by Talbot Type, and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, industrial, friendly, sporty, retro, confident, space-saving impact, softened strength, geometric consistency, display clarity, rounded, condensed, blocky, soft-cornered, compact.


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This typeface combines a compact, condensed skeleton with heavy, even strokes and rounded-rectangle terminals. Curves are built from squarish superellipse forms—especially in C, G, O, and the bowls of b/p/q—creating a sturdy, modular rhythm. Counters are relatively tight but clean, and joins are simplified and robust, yielding a uniform, high-impact texture. Numerals follow the same rounded-corner logic with clear, straightforward construction.

It performs best in headlines, posters, labels, and signage where a dense, punchy word shape is desirable. The condensed proportions make it useful for packaging and brand marks that need to fit tight spaces while staying highly legible. It can also work for short UI labels or callouts when a sturdy, friendly emphasis is needed.

The overall tone is bold and approachable at once: strong and utilitarian, but softened by rounded corners and friendly curves. It reads as modern-industrial with a hint of retro signage and sports branding energy, projecting confidence without feeling harsh.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining a softened, approachable voice. Its superellipse-based construction suggests a focus on geometric consistency and repeatable forms suited to branding and display typography.

Spacing appears calibrated for display clarity, with compact internal spaces that hold up best at larger sizes. The rounded terminals and squared curves create a consistent “soft block” motif across uppercase, lowercase, and figures, helping headings feel cohesive and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸