Sans Superellipse Tadis 9 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type, 'Tungsten' by Hoefler & Co., and 'Grand' by North Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, industrial, authoritative, condensed, utilitarian, retro, space-saving, impact, clarity, systematic, sturdy, rounded corners, monoline, vertical stress, compact, blocky.
A tall, tightly condensed sans with monoline strokes and rounded-rectangle construction. Curves resolve into squared-off bowls and softened corners, giving counters a superelliptical feel rather than true circles. Terminals are blunt and consistent, with minimal stroke modulation and a strongly vertical rhythm. The lowercase is compact with a high x-height, short extenders, and simple, closed forms that keep texture dense and even. Figures and capitals match the same narrow, stacked proportions, producing a uniform, billboard-like columnar presence.
Well-suited to headlines and short bursts of copy where a compact footprint and strong vertical presence are desirable. It performs especially well on posters, packaging, labels, and signage where bold, space-saving letterforms help maintain impact in narrow columns. Use with generous tracking and ample leading if set in longer lines to preserve clarity.
The overall tone is functional and direct, with a controlled, engineered feel. Its compact, blocky shapes and softened corners suggest industrial labeling and mid-century display lettering, projecting confidence without ornament. The dense vertical cadence reads as assertive and space-efficient, leaning more utilitarian than friendly.
The design appears intended as a condensed workhorse display sans that maximizes impact in limited horizontal space. Its rounded-rectangle geometry and blunt terminals prioritize consistency and a sturdy, manufactured look, making it adaptable to branding systems that need a disciplined, high-density typographic voice.
Round letters like O/C/G show squared curvature and tight apertures, which increases a slightly mechanical character. The narrow set and heavy presence create strong word-shapes at larger sizes, while tighter internal spaces can make small-size text feel dark and compressed. Numerals share the same condensed stance, supporting cohesive headline and labeling systems.