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Sans Normal Bumen 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Plak' and 'Neue Plak Display' by Monotype, 'Vinila' by Plau, and 'Neue Rational Narrow' by René Bieder (names referenced only for comparison).

Keywords: ui text, product design, wayfinding, editorial, forms, neutral, modern, clean, utilitarian, technical, clarity, versatility, neutrality, modernization, grotesque, even rhythm, open apertures, round counters, plain terminals.


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A straightforward sans with clean, unmodulated strokes and predominantly round counters. Curves are smooth and circular, with plain, mostly horizontal/vertical terminals and minimal stroke modulation. Proportions are balanced and contemporary, with open apertures and clear interior spaces that keep letters from clogging at text sizes. Uppercase forms feel stable and slightly compact, while lowercase shapes maintain a simple, workmanlike construction with conventional two-storey forms where expected and a single-storey-style simplicity in others, creating an even, consistent texture in paragraphs.

This font is well suited to interface copy, product labeling, and general-purpose typography where neutrality and legibility are primary. It also works comfortably in editorial layouts and informational materials, maintaining a consistent texture in longer passages and staying clear in mixed-case settings with numerals.

The overall tone is neutral and modern, prioritizing clarity over personality. It reads as practical and matter-of-fact, with a quiet, functional presence that suits everyday communication. The smooth geometry and restrained detailing give it a mildly technical, contemporary feel without becoming cold or futuristic.

The design appears intended as a dependable, general-purpose sans that delivers clear letterforms and an even reading rhythm. Its restrained geometry and plain terminals suggest an emphasis on versatility, making it appropriate for a broad range of contemporary applications without drawing attention to itself.

The sample text shows steady spacing and a consistent rhythm across mixed-case lines, with numerals that align neatly and remain legible alongside letters. Round letters (like O/C) stay smooth and even, while straight-sided forms (like E/H/N) keep crisp edges, reinforcing a clean, no-nonsense typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸