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Sans Contrasted Usno 6 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Bologna' by David Turner and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, editorial, branding, confident, punchy, classic, formal, impact, authority, heritage, readability, display, bracketed serifs, transitional, sharp terminals, rounded bowls, ink-trap like.


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This typeface has hefty, sculpted letterforms with pronounced stroke contrast and crisp, wedge-like terminals. The shapes feel compact and authoritative, with large counters in letters like O and Q and strongly modeled curves that create a carved, print-like texture. Serifs are present and mostly bracketed, with a mix of flat and tapered ends that give strokes a chiseled finish. The lowercase shows sturdy, traditional construction (double-storey a, single-storey g) and a distinct hooked descender on y, while figures are bold and somewhat oldstyle-leaning in feel due to their curving, dynamic silhouettes.

Best suited to attention-forward settings such as headlines, poster typography, book or magazine titling, and brand marks where impact and a classic voice are desired. It can also work for short editorial pull quotes or packaging copy when set with generous spacing, as the weight and contrast create a strong, dark typographic color.

The overall tone is assertive and classic, with a strong newspaper/editorial voice that reads as serious and established. Its bold modeling and sharp terminals add drama and emphasis, making the text feel declarative rather than casual. The contrast and sculpted curves lend a slightly vintage, print-era sensibility without becoming decorative.

The design appears intended to deliver high-impact, traditional letterforms with modern punch—combining strong contrast and sculpted terminals to create a confident display presence. It emphasizes readability through generous counters while prioritizing a bold, authoritative texture for prominent typography.

At text sizes the heavy strokes and contrast produce a dense color, and the letterforms retain clear inner spaces that help counterbalance the weight. The design shows noticeable calligraphic influence in the way joins and terminals taper, especially in curved letters and in the s and e, which contributes to a lively rhythm in setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸