Script Adgub 2 is a regular weight, very narrow, very high contrast, upright, short x-height font.
Keywords: branding, logotypes, invitations, headlines, packaging, elegant, fashion, romantic, whimsical, refined, modern calligraphy, luxury tone, expressive display, signature feel, editorial style, calligraphic, monoline accents, hairline strokes, looped terminals, swashy capitals.
This typeface presents a calligraphic script voice with strong thick–thin modulation and a tall, narrow stance. Strokes alternate between dramatic vertical stems and delicate hairlines, with frequent tapered entries and exits that mimic pointed-pen movement. Letterforms are mostly upright with selective loops and gentle curves, and spacing feels intentionally irregular, producing a lively, hand-drawn rhythm. Capitals are expressive and often simplified into slender vertical structures with occasional swashy cross-strokes, while lowercase forms combine compact bowls with long ascenders and descenders for a graceful vertical flow.
This font is best suited to display settings where its fine hairlines and dramatic contrast can be appreciated—such as logos, boutique branding, event stationery, beauty/fashion packaging, and editorial headlines. It works well for short phrases, names, and titles, and is less suited to small sizes or dense paragraphs where the delicate strokes may lose clarity.
The overall tone is polished and stylish, balancing formal calligraphy cues with a light, personable handwritten character. Its sharp contrast and airy hairlines create a luxurious, boutique feel, while the playful loops add a hint of charm and individuality.
The design appears intended to evoke modern calligraphy in a condensed, high-fashion silhouette, combining pointed-pen contrast with a curated set of lively, handwritten details. It aims to deliver an elevated script look that remains distinctive and expressive in branding and headline use.
Numerals mirror the letterforms’ narrow proportions and high contrast, with notably delicate curves in figures like 2, 3, 8, and 9. The sample text shows good visual continuity across words, though connections appear more implied by flowing terminals than strictly continuous joining across every pair.