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Free for Commercial Use

Serif Normal Atne 2 is a bold, normal width, high contrast, italic, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio (names referenced only for comparison).

Keywords: headlines, editorial, magazines, book covers, pull quotes, dramatic, classic, confident, formal, editorial voice, elegant emphasis, classic revival, premium tone, dynamic italic, calligraphic, bracketed, ball terminals, wedge serifs, lively.


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This is a high-contrast italic serif with a pronounced rightward slant and a distinctly calligraphic construction. Strokes alternate between very thick verticals/diagonals and hairline joins, with crisp, bracketed wedge serifs and occasional ball terminals that add sparkle in the counters and at stroke endings. Capitals feel sculpted and slightly narrow, with strong internal contrast and sharp entry/exit strokes; the lowercase shows a flowing rhythm with varied stroke widths and energetic joins. Figures are oldstyle-leaning in feel (notably the curved 2 and 3 and the open, dynamic 4), matching the texty, editorial cadence of the letters.

It performs best in display-to-text sizes where its contrast and italic rhythm can carry voice—editorial headlines, magazine features, book covers, and pull quotes. It can also work for short blocks of refined copy when ample size and leading are available, but the strong contrast and energetic italics are especially effective for emphasis and titling.

The font conveys a traditional, high-end editorial tone with a sense of motion and authority. Its sharp contrast and italic sweep create drama and emphasis, suggesting elegance and confidence rather than neutrality. Overall it reads as classic and cultivated, with a slightly theatrical flair suitable for expressive typography.

The design appears intended to provide a classic serif voice with heightened contrast and a dynamic italic posture, combining traditional proportions with sharper, more expressive stroke endings. It aims for an elegant, editorial presence that can deliver emphasis and sophistication without leaving the realm of conventional text serifs.

Spacing appears relatively generous for an italic, helping maintain clarity despite the strong contrast and tapered hairlines. Several glyphs show distinctive, calligraphy-informed terminals (especially in curves and descenders), which gives the texture a lively, handcrafted sheen while staying firmly within conventional serif typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸