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Inline Uphu 1 is a very bold, narrow, very high contrast, upright, tall x-height font visually similar to 'Wildcat' by K-Type, 'Joe College NF' by Nick's Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: sports branding, team jerseys, posters, headlines, logos, athletic, varsity, retro, assertive, team spirit, athletic branding, vintage styling, headline impact, badge lettering, blocky, slabbed, chamfered, octagonal, outlined.


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A compact, block-built display face with squared proportions and frequent chamfered corners that create an octagonal, jersey-like silhouette. Strokes are heavy and largely monolinear, with a crisp inline cut running through the filled forms and a thin outer keyline that sharpens the edges. Counters are tight and geometric, terminals are flat, and curves are handled as clipped arcs rather than fully round bowls, producing a sturdy, sign-paint-like rhythm. Uppercase is especially dominant, while lowercase keeps the same constructed, collegiate structure with simplified joins and minimal modulation.

Well-suited to sports branding, school or club identity, and any context that benefits from a classic varsity look—jerseys, patches, badges, and merchandise. It also performs strongly in posters, packaging, and short, high-impact headlines where the inline carving can contribute visual depth.

The overall tone is sporty and declarative, echoing classic varsity lettering and team branding. The inline detailing adds a vintage, badge-and-uniform flavor, giving headlines a punchy, competitive energy that reads as confident and loud without feeling playful.

The design appears intended to deliver a traditional athletic display voice with built-in decoration: solid, constructed letterforms accented by an inline cut to suggest dimensionality and heritage styling. Its compact, chamfered geometry prioritizes strong silhouette and immediate recognition in branding-heavy applications.

The inline and outline details create a layered, dimensional impression that holds up best at medium-to-large sizes, where the internal cut and edge keyline remain distinct. Spacing appears relatively tight and the forms are deliberately compact, reinforcing a dense, poster-ready texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸