Sans Superellipse Daju 5 is a very light, very wide, monoline, upright, short x-height font.
Keywords: ui labels, wayfinding, tech branding, headlines, posters, futuristic, minimal, technical, clean, geometric, systematic design, ui clarity, futuristic branding, geometric exploration, rounded corners, squarish rounds, open counters, wide spacing, single-storey a.
A monoline geometric sans built from rounded-rectangle and superellipse-like curves, with generous horizontal proportions and a low x-height. Strokes remain consistently thin with rounded terminals, producing a sleek outline-like texture at text sizes. Curves tend to flatten into long, straight-ish runs before easing into corners, giving bowls and counters a squarish, chamfer-free feel. Many letters use open apertures and simplified construction (notably in C, S, and the lowercase set), and several glyphs incorporate extended crossbars or baseline-running strokes that emphasize a continuous, modular rhythm.
This design is well suited to display settings where a futuristic, minimal voice is desired—interface labels, dashboards, product branding, signage, and headline typography. The thin monoline construction benefits from ample size and contrast, making it most effective in short text, titling, or spacious layouts rather than dense body copy.
The overall tone is futuristic and instrument-like, with a clean, engineered flavor reminiscent of sci‑fi UI labeling, electronics, and modern mobility branding. Its airy stroke weight and rounded-rect geometry feel calm and controlled rather than expressive or organic, suggesting precision and contemporary tech aesthetics.
The letterforms appear intended to translate a modular, rounded-rect geometry into a friendly, contemporary sans with strong horizontal presence. By keeping strokes uniform and corners consistently softened, the design prioritizes a cohesive system feel—optimized for modern, tech-forward visual identities and screen-oriented typography.
The sample text shows a consistent, even rhythm with conspicuously wide letterforms and clear separation between characters, helping maintain legibility despite the very light stroke. Distinctive details include the high degree of corner rounding, the squared-off bowls in letters like O/D, and simplified, almost single-line joins in letters such as K, Y, and the diagonals of V/W. Numerals follow the same rounded-rectangle logic, with open, streamlined forms that read best at larger sizes.